
Yamanni Chinen-Ryū Kobujutsu
Authentic Bōjutsu — Insight into Okinawa’s Original Martial Mechanics, Strategy & Tactics.
山根知念流棒術
Yamanni Chinen-Ryū Bōjutsu
Yamanni Chinen-Ryū Kobujutsu is a classical Okinawan weapons tradition centered on bōjutsu; its primary weapon is the rokushaku bō. It employs advanced body mechanics and centerline theory, distinguishing it from today's more commonplace styles of karate and kobudō. Its practice is defined by a fluid, continuous, almost silky-smooth motion—a relaxed "bouncing" of the weapon. It offers valuable insight into the original movement and principles of Okinawa's armed and empty-handed arts and is suitable for practitioners of all experience levels. Training also includes the study of additional weapons such as the sai, tunfā, kama, and nunchaku.
History & Lineage
According to oral tradition, Sakugawa "Tōdi" Kanga (1733–1815) introduced the bō from China to Okinawa in 1762. The art then passed through three generations of the Chinen family and, in the modern era, to Kishaba Chōgi (1934–2017) and Oshiro Toshihiro Shihan. Today, Yamanni Chinen-Ryū remains a lesser-known branch of Okinawan kobujutsu and has only recently been openly taught outside Okinawa, mainly through the efforts of the Ryūkyū Bujustsu Kenkyū Dōyūkai (RBKD).
Training Methodology & Framework
Body Dynamics: Yamanni-ryū emphasizes continuous, centerline-aware motion. The bō is made to feel light, flow smoothly, rebound effortlessly, and land heavily without hard stops. The result is a fluidity that contrasts with the segmented, stop–start rhythm common in much modern kobudō and karate.
Centerline: The strategy of Yamanni-ryū is predicated upon centerline theory. Practitioners learn to move from center, aligning seichū-sen (body centerline) with embusen (line of performance) — a highly refined way of moving. This emphasis is distinctive of Yamanni-ryū and not found in most contemporary Okinawan Kobudō or Karate.
Kata & Application: Kata present fluid transitions, wave-like acceleration, and rebounds that link techniques without visible "gears." In application, the attacker's weapon is intercepted and ridden while angled footwork takes the inside/outside gates; power comes from relaxed acceleration and structure rather than muscular tension, producing tactics that are fast, efficient, and effective.
Training is built around the classical kata of Yamanni-Ryū and includes the use of the following classical weapons:
Bō / Kun: A round, often unfinished wooden staff approximately 6′ long and 1″ in diameter. It is one of the core elements of classical martial training. Techniques include swinging, slashing, and thrusting.
Sai: A three-pronged metal truncheon, typically wielded in pairs, with one in each hand, primarily used for slashing, striking, and stabbing; historically associated with the ufuchiku (Okinawan police).
Tunfā: A hardwood baton-like weapon approximately 15–20″ long with a perpendicular handle about a third down its length; usually wielded in pairs. The modern side-handled baton used by US law enforcement agencies (PR-24) is a derivative.
Nunchaku: A flail of two wooden sticks linked by a short rope/cord. Its origins can be traced back over 800 years to the Chinese Northern Song Dynasty.
Kama: A traditional Asian sickle, often wielded in pairs. They are believed to have inspired the use of the Japanese kusarigama and kyoketsu shoge.
Jō: A shorter staff approximately 4' long, still used by some Japanese police forces.
Eku: A wooden oar-shaped weapon handled similarly to the bō, with unique edge/flat applications.
Why It Matters
Yamanni-ryū develops fluid power, proper alignment, and expert timing that transfer directly to Authentic Karate. Its practice offers insight into the original mechanics, strategy, and tactics of Okinawan martial arts, making it valuable for anyone seeking to study these arts in depth.
Curriculum
Bōjutsu • 棒術
Dōnyū no Kun Ichi • 導入の棍一
Dōnyū no Kun Ni • 導入の棍ニ
Chōun no Kun Sho • 趙雲の棍小
Chōun no Kun Dai • 趙雲の棍大
Ryūbi no Kun • 龍尾の棍
Sūji no Kun Sho • 周氏の棍小
Sūji no Kun Dai • 周氏の棍大
Sakugawa no Kun • 佐久川の棍
Shirataru no Kun • 白樽の棍
Tomari Shirataru no Kun • 泊白樽の棍
Yonegawa no Kun / Hidari Bō • 米川の棍/左棒
Saijutsu • 釵術
Kihon Kata Ichi / Shimabukuro no Sai Ichi • 基本形一/島袋の釵一
Kihon Kata Ni / Shimabukuro no Sai Ni • 基本形二/島袋の釵二
Tokubetsu Kihon • 特別基本
Nakandakari no Sai • 仲村渠の釵
Kyan no Sai • 朝徳の釵 or 喜屋武の釵 ???
Kishaba no Sai Sho • 喜舎場の釵小
Kishaba no Sai Dai • 喜舎場の釵大
Tunfājutsu トンファー術
Kihon Kata Ichi • 基本形一
Kihon Kata Ni • 基本形二
Chikina no Tunfā • チキナのトンファー
Nunchakujutsu ヌンチャク術
Kihon Kata Ichi • 基本形一
Kihon Kata Ni • 基本形二
Gusuku no Nunchaku Sho • グスクのヌンチャク小
Kamajutsu 鎌術
Kama Kata Ichi • 鎌形一
Kama Kata Ni • 鎌形二
Jōjutsu 杖術
Kishaba no Busan • 喜舎場のブサン
Ekujutsu エーク術
Shimawara no Eku Sho • シマワラのエーク小
“The connection between karate and bujutsu is very deep. In sports karate, the movements must be easy to see, so they can be judged in competition. In traditional karate, there is no judge; movements are minute and hard to discern.”
— Oshiro Toshihiro